For our money the weirdest and most satisfying Regis record in a while, featuring stripped, slow, highly atmospheric & muscular productions that were recorded as part of that mad 'Let The Night Return’ feature film (Regis, performing more or less alone in a 2000-year-old, empty greek amphitheater) here rendered in brilliant monochrome including contributions from Justin Broadrick, Ann Margaret Hogan and the music school chorus of Corfu. Trust, it’s a killer.
There’s something brutally bare and demented about this one, opening with the simmering choral drone ‘Epidaurus’ fizzing with whirring industrial components and rumbling subs, before 'Calling Down a Curse’ extends to terrifying dimensions with an intoxicating Ugandan Methods style percussive backbone and a slowed down voiceover by filmmaker Vasileios Trigkas, to our ears sounding like Burial as if rendered by Conny Plank as a kind of alternate version to his still entirely unclassifiable ‘Biomutanten’.
'The Blind Departing’ is a slow headmelter, all industrial synths and exposed percussion, every hi-hat and kickdrum separated and pristine, like the toughest, most angular sort of bare-boned warehouse chugger slowed to a crawl. If you shut yr eyes you can almost imagine Alan Wilder and Martin Gore hitting sheets of metal with a mallet on that crazy old Depeche Mode footage that’s knocking about - played at half speed.
Perhaps best of all is the closing 'Temporary Thing’, featuring Regis, Anni Hogan, and Justin Broadrick taking on a cover version of the Lou Reed classic, here extended to HD and sounding fucking ridiculously good. It's one of the most sought-after pieces of the Regis puzzle, finally available on vinyl here for the first time.